I adoringly follow John Cusack both cinematically and politically, but I have limits on both fronts, and it seems like we just reached the point down the film road where, if he's gonna pull over here, I'm staying in the car. He doesn't always choose the best projects, but then he drops something like Love & Mercy and you feel glad you stuck by his side all these years. On the flip side, sometimes he costars in River Runs Red for no other reason that you can discern other than money, because you know that's the only way they could get you to show your face in something...Read the entire review
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