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The artist, who died just short of her 100th birthday, subverted racist tropes by turning mammy dolls into warriors and presenting the breadth of the Black experience.
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 Sorry/Not Sorry opens with a smattering of journalists and comedians (mostly men) mourning what could have become of Louis C.K.'s genius. And it's true, Louis C.K.'s genius—a word that gets used a lot throughout Cara Mones and Caroline Suh's documentary—had taken the world by storm during the late 2000s and early…
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